The BookTalk team are delighted to present the full talk and Q+A we hosted with Richard Gwyn. The author discusses his latest novel The Blue Tent with Christie Collins, before Colin Bond fields probing questions from our audience. We cover magic, Jorge Luis Borges, dreams, … Continue reading Richard Gwyn’s The Blue Tent – Full talk and Q+A
I thoroughly enjoyed this second novel – novella, really – by a founder of Wales Arts Review. With shades of The Talented Mr Ripley, it’s a dark, fast-paced literary thriller which centres on the fate of artist Francis Benthem who ostensibly created an enviable new life for himself, painting in Cyprus. But when he’s found dead, his former protégé, visiting the island to attend his funeral, gets himself thoroughly mixed up in its underworld after meeting a mysterious Russian benefactor, and caught up in the mystery of what happened to the Golden Orphans.
This review appeared in ‘Previewer’s Picks’ in The Bookseller Magazine in 2018 and gives an exciting taster of what could be expected in Raymond’s at that point still-anticipated thriller.
Our next event takes place on the 11th February 2019 and will be an exploration of the literary thriller genre. Cardiff author Gary Raymond will be in residence to discuss his new book, The Golden Orphans, alongside speakers Dr. Fiona Peters and Dr. Hannah Hamad.
Tickets are available on Eventbrite.
Gary Raymond’s The Golden Orphans (Parthian, £8.99) starts off in classic Brit abroad mode as a down-on-his-luck artist travels to Cyprus to attend the funeral of his mentor and fellow painter, Frances Bentham. The unnamed narrator takes on his teacher’s old job, working for a … Continue reading Jeff Noon reviews The Golden Orphans
Writing for the Wales Art Review in September 2018, Jim Perrin reviews Gary Raymond’s new novel, The Golden Orphans. Read the review here and whet your appetite in readiness for our next BookTalk event on 11th Feb. 2019!
“Sioned Davies, professor of Welsh at Cardiff University, has written about the stories in The Mabinogion as performances. They fit the speaking voice perfectly and are full of the repetitions and devices that make oral feats of memory possible. We get the onomatopoeia of Peredur hitting a knight “a blow that was brutal and bitter, painful and bold”. The excitement of the action is further intensified by mid-sentence switching into the present tense, as when Geraint, son of Erbin, “struck the knight on the top of his head so that all the armour on his head shatters and all the flesh splits, and the skin, and it pierces the bone and the knight falls on his knees”.
Davies’s arrangement of the tales shows what happens when an oral tradition begins to be committed to the page. The rhetorically simpler “Four Branches” precede “How Culhwch Won Olwen”, a far more “literary” production. Interestingly, Culhwch wins his bride not by his own feats but by invoking 200 of Arthur’s warriors, who do the dirty work for him. This virtuoso recitation is one of the jewels of The Mabinogion, and Davies’s decision not to translate the names conveys the stirring original rhythm of this astonishing heroic catalogue.
The stories are also released from the faux-Victorian romanticism that has dogged the text, even as late as Jeffrey Gantz’s Penguin Classics translation of the late 1970s. So, the “Countess of the Fountain” is now the “Lady of the Well” and “buskins” are “boots”. This fresh, energetic translation is a revelation and, for the first time, shows off The Mabinogion tales as what they were originally: splendid entertainment.”
The review in full can be accessed here.
(Illustration by Margaret Jones. Source.)
Reading from Prof. Sioned Davies’ 2007 translation of The Mabinogion, Cerys Matthews brings to life the moment when Pwyll meets Rhiannon for the first time.
Our May 2017 BookTalk event celebrates the 2017 Year of Legends initiative by bringing together four Cardiff University scholars who will discuss the Welsh legends and tales gathered together as Y Mabinogi/The Mabinogion.