Julian Barnes compares translations of Gustave Flaubert’s great novel, on the occasion of the publication of Lydia Davis’ translation in 2010. Read an extract from Barnes’ article here.
I thoroughly enjoyed this second novel – novella, really – by a founder of Wales Arts Review. With shades of The Talented Mr Ripley, it’s a dark, fast-paced literary thriller which centres on the fate of artist Francis Benthem who ostensibly created an enviable new life for himself, painting in Cyprus. But when he’s found dead, his former protégé, visiting the island to attend his funeral, gets himself thoroughly mixed up in its underworld after meeting a mysterious Russian benefactor, and caught up in the mystery of what happened to the Golden Orphans.
This review appeared in ‘Previewer’s Picks’ in The Bookseller Magazine in 2018 and gives an exciting taster of what could be expected in Raymond’s at that point still-anticipated thriller.
Our next event takes place on the 11th February 2019 and will be an exploration of the literary thriller genre. Cardiff author Gary Raymond will be in residence to discuss his new book, The Golden Orphans, alongside speakers Dr. Fiona Peters and Dr. Hannah Hamad.
Tickets are available on Eventbrite.
Hagrid looked at Harry with warmth and respect blazing in his eyes, but Harry, instead of feeling pleased and proud, felt quite sure there had been a horrible mistake. A wizard? Him? How could he possibly be? He’d spent his life being clouted by Dudley and bullied by Aunt Petunia and Uncle Vernon; if he was really a wizard, why hadn’t they been turned into warty toads every time they’d tried to lock him in his cupboard? If he’d once defeated the greatest sorcerer in the world, how come Dudley had always been able to kick him around like a football?
“Hagrid,” he said quietly, “I think you must have made a mistake. I don’t think I can be a wizard.”
To his surprise, Hagrid chuckled.
“Not a wizard, eh? Never made things happen when you was scared, or angry?”
Harry looked into the fire. Now he came to think about it… every odd thing that had ever made his aunt and uncle furious with him had happened when he, Harry, had been upset or angry… chased by Dudley’s gang, he had somehow found himself out of their reach… dreading going to school with that ridiculous haircut, he’d managed to make it grow back… and the very last time Dudley had hit him, hadn’t he got his revenge, without even realising he was doing it? Hadn’t he set a boa constrictor on him? Harry looked back at Hagrid, smiling, and saw that Hagrid was positively beaming at him.
“See?” said Hagrid. “Harry Potter, not a wizard – you wait, you’ll be right famous at Hogwarts.”
But Uncle Vernon wasn’t going to give in without a fight.
“Haven’t I told you he’s not going?” he hissed. “He’s going to Stonewall High and he’ll be grateful for it. I’ve read those letters and he needs all sorts of rubbish – spell books and wands and – “
“If he wants ter go, a great Muggle like you won’t stop him,” growled Hagrid. “Stop Lily an’ James Potter’s son goin’ ter Hogwarts! Yer mad. His name’s been down ever since he was born. He’s off ter the finest school of witchcraft and wizardry in the world. Seven years there and he won’t know himself. He’ll be with youngsters of his own sort, fer a change, an’ he’ll be under the greatest Headmaster Hogwarts ever had, Albus Dumbled-“
“I AM NOT PAYING FOR SOME CRACKPOT OLD FOOL TO TEACH HIM MAGIC TRICKS!” yelled Uncle Vernon.
But he had finally gone too far. Hagrid seized his umbrella and whirled it over his head. “NEVER -” he thundered, “- INSULT – ALBUS – DUMBLEDORE – INFRONT – OF – ME!”
He brought the umbrella swishing down through the air to point at Dudley – there was a flash violet light, a sound like a firecracker, a sharp squeal and next second, Dudley was dancing on the spot with his hands clasped over his fat bottom, howling in pain. When he turned his back on them, Harry saw a curly pig’s tail poking through a hole in his trousers.
Excerpt taken from Harry Potter and the Philospher’s Stone (London: Bloomsbury Publishing Plc, 2013), pp. 47-8.
A low rumbling sound had broken the silence around them. It grew steadily louder as they looked up and down the street for some sign of a headlight; it swelled to a roar as they both looked up at the sky – and a huge motorbike fell of the air and landed on the road in front of them.
If the motorbike was huge, it was nothing to the man sitting astride it. He was almost twice as tall as a normal man and at least five times as wide. He looked simply too big to be allowed, and so wild – long tangles of bushy black hair and beard hid most of his face, he had hands the size of dustbin lids and his feet in their leather boots were like baby dolphins. In his vast, muscular arms, he was holding a bundle of blankets.
“Hagrid,” said Dumbledore, sounding relieved. “At last. And where did you get that motorbike?”
“Borrowed it, Professor Dumbledore, sir,” said the giant, climbing carefully off the motorbike as he spoke. “Young Sirius Black lent it me. I’ve got him, sir.”
“No problems, were there?”
“No, sir – house was almost destroyed but I got him out all right before the Muggles started swarmin’ around. He fell asleep as we was flyin’ over Bristol.”
Dumbledore and Professor McGonagall bent forward over the bundle of blankets. Inside, just visible, was a baby boy, fast asleep. Under a tuft of jet-black hair over his forehead they could see a curiously shaped cut, like a bolt of lightning.
“Is that where – ?” whispered Professor McGonagall.
“Yes,” said Dumbledore. “He’ll have that scar for ever.”
Excerpt taken from Harry Potter and the Philospher’s Stone (London: Bloomsbury Publishing Plc, 2013), pp. 16-17.
Misunderstanding abounded. Because we always talked positively and hopefully about Matty, people tended to think he was doing better than he was and were then shocked if they visited him to find that his gaze was either vacant or his eyes looked over to the right, that his skin was deteriorating and that he had spots and blackheads for the first time in his life.— Cathy Rentzenbrink, The Last Act of Love (2015), p. 49.
I remember a period in late adolescence when my mind would make itself drunk with images of adventurousness. This is how it will be when I grow up. I shall go there, do this, discover that, love her, and then her and her and her. I shall live as people in novels live and have lived. Which ones I was not sure, only that passion and danger, ecstasy and despair (but then more ecstasy) would be in attendance. However … who said that thing about ‘the littleness of life that art exaggerates’? There was a moment in my late twenties when I admitted that my adventurousness had long since petered out. I would never do those things adolescence had dreamed about. Instead, I mowed my lawn, I took holidays, I had my life.
But time … how time first grounds us and then confounds us. We thought we were being mature when we were only being safe. We imagined we were being responsible but were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them. Time … give us enough time and our best-supported decisions will seem wobbly, our certainties whimsical.—Julian Barnes, The Sense of an Ending (Jonathan Cape, 2011), p. 93
The second of our relaunched BookTalk events took place on 9 July 2015, and focused on JM Coetzee’s Booker-prize winning novel, Disgrace (1999), set in post-apartheid South Africa.